Many years ago, Ronald Monroe had an easy answer to the question, Where is your family from?


He could pull out a map of Atlanta, place his finger on downtown, and move it west toward Northside Drive. On the left side of the street, he’d see Vine City, the neighborhood where the Rev. Dr. Martin Luther King Jr. raised his children. On the right, Monroe would find the Black working-class community of Lightning. 

One of Atlanta’s oldest communities, Lightning hosted church revivals in the ’30s and moonshine alleys in the ’40s; an industrial boom in the ’50s and the Civil Rights Movement in the ’60s. Although it was surrounded by prestigious institutions, from Georgia Tech to the historically Black colleges of the Atlanta University Center, outsiders frequently associated Lightning with the least of Atlanta, in part because it was among the city’s last communities to get paved roads and electric power. Following a slow decline in the late 20th century, fueled by harmful government policies such as redlining and urban renewal, the city and state targeted the land on which Lightning stood to build the Georgia Dome.

Lightning has been largely erased from Atlanta’s story. When asked today where his family is from, Monroe must think carefully, for the answer is far more complicated than it used to be. To Atlantans, Monroe holds the title that always designates a native: He’s a “Grady baby,” born in Grady Memorial Hospital, the public institution that has cared for Atlantans of all classes since 1892. He is also a son of the west side. To west-siders, he’s a native of historic neighborhoods like Vine City or Bankhead. All are stand-ins for where he’s really from—which is nowhere, looking at the current map of his hometown. “It’s rare to run into someone who knows Lightning,” Monroe said. “They usually just associate it with the weather.”

Five years ago, journalists Max Blau and Dustin Chambers began speaking with former Lightning community members like Monroe about their old neighborhood. Their interviews were compiled into an oral history that was published with the Bitter Southerner in January 2019, right before Atlanta hosted the 53rd annual Super Bowl. Since then, Blau and Chambers—along with designer Sarah Lawrence and former Lightning resident Rosalyn Dupree- Tullis—have worked to preserve the fading memories of the neighborhood. They have interviewed more community members, compiled photos, and uncovered lost documents about the neighborhood. Their work together is being featured here as an art installation for the first time.

Lightning, Struck is more than just a historic record of a community that no longer exists. It is an examination of the policy choices made over many decades that led to the neighborhood’s destruction. It is a meditation on the trauma of losing the geographic and cultural ties of home. And it is an exploration of how justice might be delivered for those who have seen their home destroyed.